Since 2018, I have been drawn to the fragmented nature of glass—collecting images of its shattered remains, tracing the silent histories embedded in each fracture. These shards, scattered and abandoned, become accidental monuments to impermanence, their origins unknown, their presence arbitrary. There is no inherent meaning in their breakage, only the quiet insistence of their form.
In 2023, glass entered my own body—a hidden fragment revealed only through an X-ray, a physical echo of my ongoing fixation. The intrusion was unrelated, yet it mirrored my preoccupation: glass as both witness and participant, a material that captures light yet carries violence, that reflects the world while remaining utterly indifferent to it.
These images are not documents; they are residues. They do not seek explanation but exist as fragments of a larger, unresolved question—one that lingers in the space between destruction and beauty, between presence and absence.
Lisbon, November 2024
Lisbon, November 2024
Lisbon, November 2024
Lisbon, November 2024
Lisbon, November 2024
Paris, October 2024
Lisbon, February 2025
Lisbon, November 2022
Lisbon, November 2022
Lisbon, November 2022
Lisbon, November 2022
Porto, April 2022
Lisbon, June 2022
Barreiro, April 2022
Lisbon, March 2024
Lisbon, March 2024
Lisbon, March 2024
Paris, May 2024
Lisbon, July 2024
Genova, August 2024
Genova, August 2024
Lisbon, March 2025
Lisbon, February 2025